Ode to R+ revisited ... the echo of a post-classical message
The resounding of Moorish and Christian architecture, of Arab-style rounded and Gothic-style pointed arches paying a joint tribute to the Almighty, is a rare symphony to watch. It is possible to witness it in Andalusia though, the sunny land that, for centuries in the low through high middle age, has hosted Arab conquerers alongside Christian subjects, who waited until the thirteen century before claiming back the lands first seized by their Roman ancestors, while still coexisting for two-hundred long years with the last stronghold of their once invincible Muslim overlords, perched up in Granada, the last bulwark of the long lasting Moorish Mediterranean glory. A resistance to which the Alhambra monumental complex stands tall as an eternal, stone-made account on its hill. The guides toil at explaining visitors that the reason for such architectural choices were ingrained in the lack of economic means of the Christian conquerers: there was no possibility to tear everything down and rebu